Uncategorized

Explanation for Everything

Gábor Reisz’s third feature film, *Explanation for Everything*, ambitiously tackles significant and complex themes such as patriotism, political polarization, the role of media in politics, and historical reverberations. Set against the backdrop of contemporary Hungary, where ultra-nationalism has gained substantial traction, Reisz delves into the origins and consequences of this socio-political climate. With a substantial […]

Lees verder
Uncategorized

Robot Dreams

You walk into the cinema and sit amongst children, feeling somewhat out of place. 102 minutes later, you leave the cinema feeling shaken and wonder if the kids next to you were capable of comprehending the profound emotions that were so subtly expressed, without the utterance of even a single word. Robotic Dreams is more […]

Lees verder
Uncategorized

Priscilla

After watching a Sofia Coppola film I always feel some kind of emptiness inside me. This is also the case with this film. For those who are not familiar with Sofia Coppola, her work is characterized by the themes: Loneliness and isolation, youth and innocence and outsiders. The film opens in Germany at a military […]

Lees verder
Uncategorized

One Last Evening

It doesn’t take much for a dinner party to go south, especially if it’s on the eve of a big move from Hanover to Berlin in the midst of a pandemic. Tension runs high and an awkwardly unpredictable guest list consisting of hasty cancellations and uninvited guests pushes the night towards inevitable chaos and breakdown. […]

Lees verder
Uncategorized

Anatomy of a Fall

Words and facts play the most decisive role in the courtroom. But what if they can’t lead us to the full truth? Justine Triet’s newest film, Anatomy of a Fall, was presented at this year’s Cannes Film Festival. I had the chance to see the film in one of the great cinema halls in Cannes, […]

Lees verder
Uncategorized

War Pony

“War Pony” (2022) is a movie that could be distinguished by its so-called “realness”. Little special effects, a plot without a happy ending, and characters who are not the over-idealized version of archaic human exemplars. The scenography gives us the feeling as if the camera was simply following the people of Pine Ridge Reservation in […]

Lees verder
Uncategorized

Return to Seoul

Korean music leads us into the opening scene: a receptionist interacts with an interesting new guest at the hotel, switching quickly from Korean to English and finally French when she sees her passport. A film that opens with music and three languages in succession within the first three minutes is well set for complexity. Having […]

Lees verder
Uncategorized

Empire of Light

There were three major nostalgic films about the film industry in the past year: “babyface” Damien Chazelle’s Babylon (2022) — his second attempt at remaking Singin’ in the Rain (1952) next to La La Land (2016) with the same skilful directing and editing; Stephen Spielberg’s autobiographical The Fabelmans (2022), which is loosely based on the […]

Lees verder
Uncategorized

Joyland

Director Saim Sadiq’s Joyland was highly praised when it premiered at the Cannes Film Festival (the first Pakistani film to ever be selected), but it caused quite a bit of stir and discussion in Pakistan. The tender queer love story between a married man named Haider (Ali Junejo) and a transgender woman named Biba (Alina […]

Lees verder