There were three major nostalgic films about the film industry in the past year: “babyface” Damien Chazelle’s Babylon (2022) — his second attempt at remaking Singin’ in the Rain (1952) next to La La Land (2016) with the same skilful directing and editing; Stephen Spielberg’s autobiographical The Fabelmans (2022), which is loosely based on the […]
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