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One Last Evening

It doesn’t take much for a dinner party to go south, especially if it’s on the eve of a big move from Hanover to Berlin in the midst of a pandemic. Tension runs high and an awkwardly unpredictable guest list consisting of hasty cancellations and uninvited guests pushes the night towards inevitable chaos and breakdown. […]

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Munch

The mere background of the cinematographic biography of Edvard Munch reflects the artistic turmoil the expressionists favored so much at the peak of their existence. Supposedly four people were working on the scenario to have a logical and consistent structure. Thus, several other individuals were hired to comprehend the thoughts and visions of one director. […]

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Anatomy of a Fall

Words and facts play the most decisive role in the courtroom. But what if they can’t lead us to the full truth? Justine Triet’s newest film, Anatomy of a Fall, was presented at this year’s Cannes Film Festival. I had the chance to see the film in one of the great cinema halls in Cannes, […]

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War Pony

“War Pony” (2022) is a movie that could be distinguished by its so-called “realness”. Little special effects, a plot without a happy ending, and characters who are not the over-idealized version of archaic human exemplars. The scenography gives us the feeling as if the camera was simply following the people of Pine Ridge Reservation in […]

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LA RIOT

(NL) LA RIOT is een blog over de nieuwste arthouse releases in Rialto en daarbuiten. De LA RIOT redactie organiseert ook regelmatig filmavonden in Rialto de Pijp of Rialto VU (EN-subs).

(ENG) LA RIOT is a blog about the newest arthouse releases of Rialto Filmtheatre and beyond. The LA RIOT editors organise regular movie nights as well at Rialto or Rialto VU (EN-subs).

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Return to Seoul

Korean music leads us into the opening scene: a receptionist interacts with an interesting new guest at the hotel, switching quickly from Korean to English and finally French when she sees her passport. A film that opens with music and three languages in succession within the first three minutes is well set for complexity. Having […]

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Empire of Light

There were three major nostalgic films about the film industry in the past year: “babyface” Damien Chazelle’s Babylon (2022) — his second attempt at remaking Singin’ in the Rain (1952) next to La La Land (2016) with the same skilful directing and editing; Stephen Spielberg’s autobiographical The Fabelmans (2022), which is loosely based on the […]

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Joyland

Director Saim Sadiq’s Joyland was highly praised when it premiered at the Cannes Film Festival (the first Pakistani film to ever be selected), but it caused quite a bit of stir and discussion in Pakistan. The tender queer love story between a married man named Haider (Ali Junejo) and a transgender woman named Biba (Alina […]

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The Whale

I recently watched the latest Aronofsky film, The Whale. He managed to dismantle a new tabou by bringing up a murky subject that I’ve personally infrequently seen in movies. It is about Charlie, a severely obese English teacher hiding in his apartment awaiting death. With one final attempt at atonement, he is desperate to get […]

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